That means, your dynamic range is 13.5 dB. Say your peaks are at -1.5dBFS (decibel Full Scale) and your RMS value is at -15dBFS. The difference between Peak and RMS values is your dynamic range. Not to be confused with Peak volume, which is the measure of your absolute loudest point in your signal – usually these will be your harsher transients. If you're familiar with the world of analog hardware, all VU meters are essentially showing RMS values. Think of it as, your global average loudness level. So, to put it simply, RMS refers to the amount of energy in your signal, over a period of time. Unless mathematics was your thing in school, you probably haven't got a clue what that means. RMS is essentially a mathematical measure of the magnitude or power of values. Whether it's LUFS, RMS or Peak values, identifying the differences of these is key to the work of any mastering engineer.įurthermore, services like YouTube, Apple Music and Spotify, all have their own targets of how loud your song should sound It's easy to get confused in the world of mastering metrics. Keep in mind what genre you're going for, and use a reference track to check the RMS levels.Īim to stay within your genres average RMS values. Obviously it's not always this simple, and is dependant on the context of your track. The minimum we recommend going is -18dBFS. For more subdued music, go lower at -16dBFS. RMS levels for loud, in your face tracks, should range between -7dBFS and -12 dBFS.
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